Babylon (18) isn’t just a film, it’s an experience. The first great release of 2023, it’s a simultaneous celebration and denunciation of a wild and wacky era in film-making. Everything Damien Chazelle does has the word ‘Big’ written all over it. If he isn’t careful, he’ll become our era’s answer to Cecil B. De Mille.…
Category: Film
Centenary of the Screen’s Moses
As the new year begins I’m reminded that Charlton Heston was born 100 years ago. One of his first major roles was as Moses in Cecil B. De Mille’s The Ten Commandments. Parting the Red Sea could be said to be starting at the top. He decided to play him as “a man much scarred…
All Kinds of Everything
A film year in review Gingerly we stepped out of Covid-19. We were hit with films that that were delayed – but not derailed – by the virus: Munich, Cyrano, Memoria, Cow. February brought A Journal for Jordan, The Eyes of Tammy Faye and a blockbuster, Jurassic World. I seemed to be watching these kinds…
Dublin’s Northside captured in monochrome magic
North Circular Road has so many connotations for people, maybe we shouldn’t just see it as a road anymore but a connection point between different lifestyles and cultures. As one of the speakers in North Circular (15A, Irish film Institute) says, it may end at Sheriff Street geographically but in spirit it stretches to “the…
Bird’s eye view of a unique theme
My ignorance of the pigeon world was almost absolute before I saw Million Dollar Pigeons (15A), an unusual documentary about the high-flying world of pigeon fanciers. Gavin Fitzgerald’s film goes all over the world. We see those at the top of the sport in America, South Africa, China and even Thailand. He starts with a…
Women at the helm in films
Maybe we’ll look back on 2022 as the year of women in films. A documentary on Mother Teresa was recently released, as was one about Lyra McKee, the investigative journalist who was murdered by dissident republicans on Holy Thursday in 2019. Also a documentary on the poet and novelist Doireann Ní Ghriofa and the film…
Sensationalistic slant sullies Synge-song scenario
When the inimitable Sam Goldwyn was asked once what was wrong with the American film industry he famously replied, “We need some new cliches”. Writer/director Martin McDonagh, in his ambition to be the Irish Quentin Tarantino, has spent the last number of years providing us with his version of these. He’s unpicked stage-Irishry with some…
Bambi in bovver boots
We’re in America. A singer stands before an audience. She looks like an extra-terrestrial with her shaven head. People start to cheer. Then they boo. She recently refused to sing at a venue if the American National Anthem was played. She’s also torn up a photograph of the Pope on live TV. The camera flashes…
Slow burning search for a lost childhood
It Is In Us All (15) begins with London-based Hamish (Cosmo Jarvis) travelling to his native Donegal to prepare his deceased aunt’s house for sale. On the way he has a car accident. A boy from the other car is killed. Another one, Evan (Rhys Mannion), survives. Hamish self-treats his injuries like a Buncrana Rambo.…
More poppycock than Hitchcock in fifties London
Saoirse Ronan can do anything – even a Dublin accent. Well she’s done everything else, right? Why not go back to her ‘real’ voice? It squeaked through in Brooklyn. Here we get the full “Dublin can be heaven/with a coffee at eleven” version. How strange that she chose the role of a trainee constable from…